Over the course of four days, we will examine effective methods of crafting a compelling story, identify explicit and unwritten rules in the role of the screenwriter and determine a range of pathways best suited to your experience and goals.
Your writing abilities, industry insight and network outreach will be strengthened through seminars, group activities, one-to-one consultations, practical exercises and peer review sessions.
Learn what it takes to write a great story for film and television.
Sat. 22 Aug. – 17:00 – 20:00
● Media Analysis: Breaking down the linear story structure of a piece of media to introduce the basic steps of telling a compelling story.
● Screenplay Analysis: Analysing the exposition in the first 10 pages of a screenplay, identifying the introduction of characters, settings, themes, and stakes of a story.
● Screenplay Analysis: Comparing the first 10 minutes of a feature film to the first 10 pages of the screenplay, focusing on the reasons for the omitted scenes in favour of the pacing of the story.
● Exercise: Write the first page of a screenplay – introduce a protagonist while establishing the setting, themes, and stakes of the story.
Son. 23 Aug. – 17:00 – 20:00
● Screenplay Analysis: Analysing the five-act structure of a screenplay, establishing the structure of a compelling linear story from the beginning, middle, and end.
● Screenplay Analysis: Comparing the effective and ineffective structure of a non-linear story, focusing on the method of withholding key information.
● Media Analysis: Breaking down the non-linear story structure of a piece of media to explore the various methods of connecting a non-linear story.
● Exercise: Write the second page of a screenplay – introduce a supporting character and antagonist while expanding on the setting, themes, and stakes of the story.
Sat. 29 Aug. – 17:00 – 20:00
● Media Analysis: Breaking down the use of iconography and symbolism in a piece of media as a way to communicate the subtext and core themes of a story.
● Screenplay Analysis: Examining the use of poetic writing that can be used to enhance the core themes and subtext in a written story, specifically in relation.
● Screenplay Analysis: Learning how to structure a compelling scene while teaching the industry standard practices of screenplay formatting.
● Exercise: Revise the first and second pages of a screenplay – complete a new draft.
Son. 30 Aug. – 17:00 – 20:00
● Pitching the Screenplay: the supporting documents for a screenplay i.e. one-page summary, treatment, series bible, and pitch deck.
● Rules for a Screenwriter: Exploring the more obscure aspects of screenplay formatting and the etiquette of catering to the other departments of film production.
● Pathways for a Screenwriter: Exploring the best opportunities for a screenwriter depending on their level of experience and/or desired career path.
● Exercise: Write a one-page summary of an existing screenplay – write the logline and summary of a chosen feature film, adapting it to an industry standard document.
Floyd is a screenwriter with ten years of academic education, training, and experience in the film and television industry with a portfolio of scripts for television, short film, and feature film as well as industry connections across London and Berlin. Floyd guides you through the world of the screenwriter where you will gain the essential skills and insider knowledge required to write and develop an impactful screenplay. You'll receive personalized guidance through tailored one-on-one consultations in addition to group sessions.
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